Category Archives: not my music

Whore’s Union price list

The following MP3s a very dirty jokes from the 1890s on a wax cylinder recording, via the incredible Archeophone release Actionable Offenses: Indecent Phonograph Recordings from the 1890s:

Obscene Recordings from 110 Years Ago

The commercial recordings on this CD are the only known copies that Comstock’s men missed. They were preserved by long-time Edison Recording Manager Walter Miller and are now in the vault of the Edison National Historic Site. Scarcity and suppression have kept them silent for a century. They were stories told readily in the bar; yet they became legally actionable offenses when fixed in wax and played on a phonograph in that same bar. Brace yourself. Just because they are from the Victorian era does not mean they are tame by today’s standards—far from it.

Pioneer Recording Artist Goes to Jail

They are so indecent that Russell Hunting was imprisoned in 1896 for making and selling them. Up to that point Hunting had been doing a brisk trade selling his bawdy cylinders to the exhibitors on Coney Island who had certain “discriminating” customers. Although he recorded under pseudonyms such as “Charley Smith” and “Willy Fathand,” his voice was so well-known through his “Casey” routines that he was identified as the creator by aural evidence alone. Hunting’s recording career never fully recovered, and he left the U.S. in 1898 to make a fresh start in England.

These would not be safe for work in any way shape or form if your coworkers could figure out what they’re saying. You might have to listen 7-8 times to understand the details. “A Hard Head” is unbelievably funny and filthy, but it could take quite a while to figure it out. “Whore’s Union price list” is not far off and the recording is a lot more clear.

A Hard Head (MP3).

Whore’s Union price list (MP3)

To an enthusiast of historical American pop culture this stuff is mind boggling for the way it brings those times to life. Topics reserved for dirty jokes are important, and the lack of them in the historical record makes those times abstract and distant. You know intellectually that the texture of life was the same then as now, pretty much, but no amount of imagination can fill the gaps like verbatim potty talk and gross-outs.

Smokey Mokes piano roll

Here’s another version of Smokey Mokes, this time from an original piano roll.

Vess Ossman version of “Maple Leaf Rag”

After posting my Vess Ossman playlist I came across a star recording over on archive.org that I didn’t know about — a 1907 banjo version of Scott Joplin’s 1899 piece Maple Leaf Rag, which would be almost the only currently recognizeable song in Ossman’s recorded works. (The other recognizeable works are the highly lame “William Tell Overture” and “Yankee Doodle”):

Vess Ossman - Maple Leaf Rag (1907)

According to Tangleweed, the blog where I found the song:

Only two of Joplin’s rags were recorded commercially during his lifetime, and the first piano recording of his most famous composition, Maple Leaf Rag, was not made until 1923, six years after his death.

More typical is this arrangement by banjo virtuoso Vess Ossman. The ubiquity of the banjo and relative scarcity of the piano in early recorded music has more to do with the limitations of early mechanical recording technology than with the popularity of the instruments. The volume and focused, directional sound of the banjo, combined with its lack of sustain, made it ideal for early mechanical recordings. Instruments like the piano and violin, however, tended to sound weak and warbly.

Vess Ossman playlist

I have created an awesome playlist of music by a banjo player from the early recording era named Vess Ossman. I hope you’ll dig it.

“Must I, Then” -> “Muss I Denn”

In a comment on Must I, Then, Jim N posted that:

From a folksong book my grandfather gave me, I know that this is based on a German song, “Muss I Den”.

Here’s the german tune:

That’s definitely the same song. Good shot, Jim.

But what about the title? Google translate tells me that “Muss I denn” means “I have since” in English, not “Must I, then.” “Must I, then” must have become the title because it sounds the same. Maybe it was misheard by an English speaker who thought it was English.

And actually my favorite part of this song is the title. “Must I, Then” is a great name for a song.

Brad Kay — Awful Sad

I met a ragtime pianist and 78 collector named Brad Kay at a show I did last night. He sounded like an interesting guy, so I looked him up on YouTube and found this great performance of a 1928 Duke Ellington song.